Party Time?

Party Time? EP - Kurtis Blow - 1983


This is the current go-to Blow album in the VVers ever expanding collection. Several factors have led to this:


Let's put the obvious out there: The album title is amazing and is often put into this context:  "What record should we listen to? Party Time?  What time is it? Party Time?  Should we get another round?  Party Time?"  You get the idea.


Party Time? taken as a whole is the only Kurtis Blow album to date that is great from start to finish. Granated it's only an EP, but maybe that's the format that suits him best.  No cringe inducing tracks on side two (see prior reviews here and here), which makes flipping the record repeatedly a pleasure instead of a terror.

Opening track, "Party Time?" is way ahead of its time as a fusion of musical genres, hip-hop and go-go (It's a DC thing. Don't know about it? Keep reading). It has a bouncing tempo that instantly gets you moving. Lyrics are a straight up thank you to the good that having great tunes around can do, especially when times are tough. Conveniently enough, at just over eight minutes long it is the perfect length for a morning abs workout. Nice! The track also features wailing horns that will rapidly transport you to the opening credits theme music of Saturday Night Live. The fact that Beastie Boys lift one of their more well known samples from this track (see, Hey Ladies) gives this disco synth sing-a-long track some major additional cred. Not that it needs it. It is a dance floor classic in this apartment.

Blow collaborates with early champions of DC based musical cornucopia known as go-go, EU (Experience Unlimited) for the majority of tracks on this platter. The go-go sound is a hypersmorgasbord of rhythm, funk, call and response shout outs, conga drums, and general R & B mayhem. For the uninitiated it can be a tad overwhelming, but in the case of this EP, Blow manages to get the manic vibes to compliment his old school style. "Party Time?" is the purist example of this but, "Gotta Dance" is a potent funk and synth jam that will have you moving fast as well. Blow pulls out all the verbal tricks and the slinky synth hook matches well with the gut punch bass lines.

All dancing and good tunes aside, Blow makes a concerted effort to point out that things are tough out there for the average American. The album cover art is a straight look into the audience eye with Kurtis standing in front of a line of folks waiting to pick up unemployment checks; perhaps it is not yet party time. Maybe that's a simplistic touch but I think it would have been mighty easy for the fun loving rap star to focus on the bling and disco sheen that was still common in his time. Instead he shines a light on inequities around. "Nervous" talks a lot about how the world is a constantly litany of dangers for folks. He rails about politicians, the legal system and "missiles every place," but in a way that isn't mean or nasty. He's a story teller at heart. Closing jam "One-Two-Five" is a classy funk shout out to the main drag in Harlem. Lyrically he manages to name drop Fidel Castro, The Count, The Duke, and Doctor J amongst many others. It's an impressive ode to his home and a great send off for the EP.

America

Kurtis Blow - America - 1985


Yet another Kurtis Blow album with an awesome cover. This was eyed while checking out at Joe's Record Paradise last night as  it was sitting behind the counter. Our cashier said this "concept album" was for sale and upon flipping to the back cover, we were all immediately in awe of Kurtis Blow's "sweet mullet" as quoted by the Joe's cashier. Add this to the collection of Kurtis Blow ridiculous back album covers (see our post for his first album).


So buying this record was a toss up, since it a) was not $1 or less for an album that we knew absolutely nothing about, b) is from 1985 c) gives special thanks to Slick Vick (who is this? Slick Rick's inferior brother), and d) has a track called "Super Sperm". However, it does contain a track "If I Ruled the World" - music and lyrics by Kurtis Blow. Could this be the original of the song that I know by Nas and Lauryn Hill? I had to find out.


Of course it is the archetype of the song that I know from the 90's by Nas; I should know by now that very few 90's rap and hip hop songs are originals. The hook is the similar, but the verses of Blow's song sound more like Will Smith's Fresh Prince of Bel-Air theme. "As I arrived, the crowd started to cheer - And then someone yelled out, 'The King is here!'" Many lyrics on this one will likely remind you of early Will Smith, one song "Summertime Groove" in particular seems a straight steal by Mr. Smith... perhaps an homage.


The rest of the songs sound a lot like beat boxing, but with a beat machine on a keyboard. This makes sense since this same year he produced the Fat Boys album which pioneered the human beat box along with Doug E. Fresh. I sorta wish I had a boom box to rock this album.


Overall, I think I would be ok just buying a single of If I Ruled the World, nothing REALLY stands out on the rest of the album, but its fun to listen to. The first track has a few moments of inspiration, but it is kind of watered down.


PS - try really hard to not listen to the last track on Side B - "Don't Cha Feel Like Makin Love" - its as bad as your would think for a Kurtis Blow Side B track. What is it with this guy and his incredibly bad album ending tracks? It's like he's trying to prove a point that he can indeed embarass himself at least once per album. This track sounds like the worst Poison song ever recorded. BAD!!!

FAT BOYS!

Fat Boys - 1984

Say hello to the human beatbox. At a mere 15 cents this album was a freaking steal from the newly opened CD/Game Exchange in Takoma Park. It features strong production from the one and only Kurtis Blow and some ahead of its time hip hop from the boys of fat. The songs feature some deft rapping that borders on the ludicrous at times, but never deep ends into clowning. It's a solid effort that can get a living room dance party going in short order. The sleeve mysteriously had a single for "Sex Machine" from a later album crammed in with it. The single (featuring a straight rip of James Brown's "Sex Machine")is "meh". Our copy came in a sleeve that looked like it had been chewed on by a pack of starving hyaenas, but after some close inspection of the dense shmootz at the shop, the grooves were unharmed.

So the guys are fat and they rap. Haha, I get it. That's it, right? WRONG. This stuff is tight, the guys are on their game, and it's a good time! Tracks like "Jail House Rap", "Fat Boys", and "Human Beat Box" are just awesome! The beat boxing, while groundbreaking at the time, still holds strong and is a zillion times better than any auto-tune bs that the new school guys are putting out there. GET A COPY RIGHT NOW.

Not sure why this album got lost to the sands of time, perhaps the Boys let the quality slip a few notches after this first LP, as evidenced by the "Sex Machine" single I mentioned earlier. Maybe they were having so much fun that they became a self-parody. The important thing to remember here is that future platters don't matter much when the one that's spinning is so damn tight.