APTBS and Black Clouds
The February cold brought these VVers to Metro Gallery in Baltimore to catch A Place to Bury Strangers. The VVers own quite a few of APTBS records, but had never had a chance to see them live. Should you get a chance, you're going to want to bring earplugs. From the merch table was snagged a metal "trivet" sleeved 45 that can also double as a weapon. Read more on that here. The 45 is super-fantastic, also extremely heavy (in both the physical and auditory sense). In addition, all instrumental act Black Clouds played a strong opening set for APTBS and VVer #1 picked up their LP, Dreamcation. This transparent vinyl is housed in a transparent printed sleeve with a full size booklet of semi-transparent, grayscaled photographs of haze filled ruinous landscapes. Bleakly beautiful, and impressibly see-through. Their album is melodic, atmospheric, and just the right amount of thrashy. But it's the sleeve and design that keeps haunting. Hey guys, nice package!
April at Ottobar brought VVer #2's first time being exposed to the Biz (and VVer #1's fifth). Survey says? Hell yes. The band was playing in its classic two man line-up which really emphasizes how much they can make the fur fly. Holy smokes! Throbbing bass lines, insanity invoking drumming, and barely audible droning vocals. "Yeowww my head." Big Biz merch also never fails to impress. Home came the hand-screened "quadruple single" and gold-on-black screened beer coozies that came with a free download of their new single (while not vinyl, a very nice touch).
You know what really takes the cake? Finding out one of your favorite bands is playing in a few hours in the city you are heading to in your tiny rental car. Totally unplanned and half-way into a leisurely, twelve-hour cross-country drive, these VVers put the pedal to the metal to catch Crocodiles play a stellar set in Austin, TX at Holy Mountain. Not only was there a new LP, Boys, to be bought (ahead of its actual release date) and signed, the VVers got an entire show of new music plus a few "classics" to jump around to, ending with "I Wanna Kill." It was lovely and loud, and the VVers got a shout-out mid-show. Heart.
Levitation (aka Austin Psych Fest)
|Los Mundos Dios es Fuzz|
Though the VVers and friends went to this show at Ottobar on July 4th weekend to have the Melvins melt their faces, VVer #1 had inside knowledge that Mexican opening act, Le Butcherettes, should not be missed. He had seen them open for Faith No More at Webster Hall earlier in the year. Teri Gender Bender, the female lead of Le Butcherettes, put on quite an enamoring and hypnotizing show, so much so that VVer #2 requested that their most recent record (at the time), Cry Is for the Flies, be purchased from the merch table. The LP is filled with guttural, poetic, power vocals, and a spoken-word track from Mr. Henry Rollins. On repeat listens the catchiness of this album has burgeoned to the surface and is getting repeat spins.
Flowers of Evil
|Yes, the VVers bought a record|
directly from this dude.
These Toronto indie punks played a scintillating gig at DC9 that had VVer #1 all a sorts of happy. This band will immediately bring you back to 1990 with their raw blend of head-crunching riffage and yowling vocals. The sloppy vibe put on by the disheveled band members says nothing about their professional chops. Tight sound all around, especially from guitarist Liz Ball (sonic sorceress) and vocalist/guitarist Katie Monks (destruction arteest). They heartily earned VVer #1's greenbacks (and high fives) for their debut LP, Sore. The album captures much of that live vibe and adds to the mix haunting production, shimmering guitars, and one of the grossest album covers ever. Bravo.
The 2015 honorable mentions go to the bands the VVers saw live this year, but pre-ordered their vinyl instead of buying it at the show. These include: Shark Week Beach Fuzz, Faith No More Sol Invictus, Heavy Breathing Airtight, and Puscifer Money Shot. All great and unique concerts with vinyl to match (still waiting on that Puscifer).
Year in Review in review: Buying vinyl is all fine and good, but buying it at a concert? That comes with bragging rights. Seriously, to hand money directly to the artist on the road is something special. Odds are the band is getting a bigger cut of the merch sale. You might get a signed album and get to chat up the band a bit. Unique or limited edition schwag is fairly common on the road. Overall, what's really important is being able to directly show your appreciation for the band. To get a keepsake from a great show is icing on the turntable. Your record comes with a memory. How sweet.