Ok, it's important to note that this album is hot pink vinyl. A demo copy, found in the twenty five cent bin at the Deep Groove Records in Richmond, VA, and it's hot pink. How do you refuse an album like that? Not knowing anything about the band had me close to second guessing, but I am certainly glad that I went through with my big purchase. Did I mention the pink vinyl?
What happens musically here is really a treat. You get tinges of 70's Rolling Stones (Chicago Boxcar), early Elvis Costello (B Movies), and some new wave as well. Flashes of 50's era "strum and tumble" show up here and there also. It's a spare affair, with a few dashes of just about everything rock and roll that had come before. I can imagine that "turn off, turn off, turn off my microphone!" would have been a great sing-along before leading into a wicked drum/synthesizer breakdown. Some of the tunes even get into country and doo-wop territory (Roll Your Own). It is all here. Lead man, Tony de Meur has traces of Bowie, Thorogood, and Jagger. This particular record is a combination of the first two releases from the UK which seemed to be enough to propel them stateside as opening act for Tom Petty, The Ramones, and even as the backing band for legendary Chuck Berry. So what the F#&^$% happened to these guys!?! Was it because they were called the Fabulous Poodles? Probably, but the internet tells me it was more a case of the music business (relentless touring, a lack of label support, and an evil overlordish manager) and who am I to argue with the internet? Well, the internet isn't saying much. Seems this group's three album achievement wasn't enough to garner the attention of the modern media. Did I mention hot pink?